As it turns out, rumors of Joe Pesci’s involvement in The Irishman have not been greatly exaggerated. Although Pesci’s name has been attached to reports about Martin Scorsese’s mob drama since its inception several years back, recent updates cast some serious doubt on the actor’s involvement. That changed today, as Pesci — along with Bobby Cannavale and Harvey Keitel — has officially joined the cast of The Irishman, which marks his fourth collaboration with Scorsese and Robert De Niro.
Comic-Con 2017 is right around the corner, and one of the films we’re hoping to see at the big 20th Century Fox panel in Hall H is The New Mutants, the studio’s next X-Men spinoff. We’re not banking on seeing any actual footage from the film itself, however, since it officially went into production today — as evidenced by a photo from director Josh Boone, who received a pretty funny gag gift to mark the occasion.
Now that Will Ferrell and Mark Wahlberg’s dads have got their “co-dad game on lockdown,” it’s time to shake things up for the holidays. The first trailer for Daddy’s Home 2, aka Sofia Coppola’s most anticipated film of the year, has arrived and it’s brought the grandaddy of all problems — literally — along with it. Yep, grandpa’s comin’ home and he’s Mel Gibson.
Chim chiminey, chim chiminey, chim chim cheree, Emily Blunt’s Mary Poppins looks so darn lovelyyyy. (Sorry, never sorry.) As you might have guessed from my dumb little rhyme there, today brings some new photos from Mary Poppins Returns, Disney’s upcoming musical sequel in which Blunt steps into Julie Andrews’ whimsical shoes as the magical British nanny.
After years of taunting us with the possibility of a (super) late-coming sequel to Top Gun, it’s actually happening. Tom Cruise is back, which guarantees our butts will be in those seats on opening day, no matter what. If you thought they were going to go with a basic title like Top Gun 2 for this major movie event, you were sadly mistaken.
Universal was initially taking more of a “wait and see” approach to their burgeoning monster movie franchise, but that changed last week when the studio formally announced plans to kick things into high gear. The newly-dubbed and somewhat ambitious “Dark Universe” (not to be confused with Warner Bros.’ long-developing DC film) will feature long-rumored reboots like Bride of Frankenstein and The Wolfman, and rumor has it Universal is eyeing another one of their franchise super-stars to take the lead in the latter.
We don’t really need further evidence that we are living in a total nightmare (or an alternate timeline, if you’re one of Those People), but then a piece of news comes along that forces us to confront the true horror of reality by offering a painful glimpse at a beautiful life that could’ve been — and never was (at least not in this timeline, if you’re one of Those People). Today, it’s the heartbreaking revelation that Jeff Goldblum — national treasure, king of the silver foxes and master of the universe — could have been the voice of Siri on your iPhone. In the mournful words of the wise Adele, WE COULD’VE HAD IT AAAALLLLLL.
It’s a story fit for a mediocre rom-com: A 37-year-old man from Austin, Texas is suing a woman for texting during a screening of Guardians of the Galaxy Vol. 2. And not just some random stranger, either — she was his date. In what he describes as “a first date from hell,” the woman allegedly refused to put her phone away and continued to text until he finally suggested she take the conversation outside. She did just that, taking her phone out of the theater, through the lobby, and out to the parking lot, where she drove off and left her date without a ride home.
Wanna hang with Robert Downey Jr., Tom Holland and the rest of the Avengers: Infinity War cast? Now’s your chance. Today Marvel launched its latest Omaze campaign with a new video, in which the eternally charismatic RDJ invites you to join him for a special trip to the set of Marvel’s upcoming superhero crossover epic. All you have to do is make a small donation. That’s it. Easy, right?
In the second act of The Circle (a film so poorly structured that it feels like it has five acts instead of three), Emma Watson’s painfully earnest protagonist Mae Holland decides to go “transparent” and have her entire life live-streamed around the clock, save for the occasional three-minute bathroom break. Throughout these sequences, CGI text boxes appear on screen to display viewer comments in “real-time,” with half-baked thoughts ranging from “I just ate cheese from last year” to “My girlfriend dumped me.” Those comments, often irrelevant and ineloquent, are the only part of The Circle that feels remotely relevant or clever…or entertaining. The rest, like the titular shape, is hollow.
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